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Austen herself, speaking for the last time. There is some-
thing so true, so womanly about her, that it is impossible
not to love her. She is the bright-eyed heroine of the
earlier novels matured, chastened, cultivated, to whom fidelity
has brought only greater depth and sweetness instead of
bitterness and pain. -- From "The Cornhill Magazine,"
August, 1871.
As we should expect from such a life, Jane Austen's
view of the world is genial, kindly, and, we repeat,
free from anything like cynicism. It is that of a
clear-sighted and somewhat satirical onlooker, loving what
deserves love, and amusing herself with the foibles, the self-~
deceptions, the affectations of humanity. Refined almost to
fastidiousness, she is hard upon vulgarity; not, however,
on good-natured vulgarity, such as that of Mrs. Jennings in
"Sense and Sensibility," but on vulgarity like that of Miss
Steele, in the same novel, combined at once with effrontery
and with meanness of soul...
To sentimentality Jane Austen was a foe. Antipathy to
it runs through her works. She had encountered it in the
romances of the day, such as the works of Mrs. Radcliffe
and in people who had fed on them. What she would have
said if she had encountered it in the form of Rousseauism
we can only guess. The solid foundation of her own char-
acter was good sense, and her type of excellence as dis-
played in her heroines is a woman full of feeling, but with
her feelings thoroughly under control. Genuine sensibility,
however, even when too little under control, she can regard
as lovable. Marianne in "Sense and Sensibility" is an ob-
ject of sympathy, because her emotions, though they are
ungoverned and lead her into folly, are genuine, and are
matched in intensity by her sisterly affection. But affected
sentiment gets no quarter...
Jane Austen had, as she was sure to have, a feeling for
the beauties of nature. She paints in glowing language the
scenery of Lyme. She speaks almost with rapture of a
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